Stevie Wonder comes to mind.
He is especially good at syncopating the beginning of his phrases. Listen to the recordings and learn to play along with the syncopated lines. Figure out which notes have been syncopated, and then try removing the syncopation and playing the lick again, so that you can feel the difference. Once you've done this enough, you'll develop a good sense of what syncopation you like and how to add it in to non-syncopated licks.
Jazz guitar exercises
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Creative Exercises that Introduce Students to Improvisation
Viewed times. MikeV MikeV 1 1 silver badge 3 3 bronze badges. There are a couple ways to practice this. For example, if you're improvising in C and you play a blues-y lick this: Then you might try moving the first note back an eighth, so that your phrase starts a little early: The syncopation can be added to the beginning, middle, or end of the lick. Sign up or log in Sign up using Google. Sign up using Facebook. Sign up using Email and Password. Post as a guest Name. Email Required, but never shown.
Workshop exercises and design - free improvisation in performance
Featured on Meta. Unicorn Meta Zoo 9: How do we handle problem users? While the most classic tips for becoming a better jazz improviser include, learning solos by ear , licks , and learning jazz standards , all of those things can be lots of work and time. Sometimes I just want to be a lazy practicer.
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The good news is, these activities are not inferior to some of the others I have mentioned. These are great exercises that can have a significant impact on your jazz improvisation , without all the sweat. So if you ever find yourself ready to practice, but not especially motivated to learn a Charlie Parker solo, here are a few helpful exercises to consider:. One great way to practice is to turn on one of your favorite jazz albums and just jam along.
Solo along with the musicians, work on some voice leading parts, comp, do whatever you like, just pretend you are part of the band. It may feel like a one-sided relationship, but the benefit is you are trying to get inside of the essence of what the soloist is playing. This is different than playing with a backing track or even a friend.
The idea here is you are trying to learn jazz language and transfer it to your instrument in the moment.
Sometimes you notice that you are stealing certain things they say or the way they act. That is what you are hoping will happen when you jam along with your jazz heroes. This exercise is all about training your ear. As jazz improvisers, we need to have a strong ear. In addition to recognizing sounds, we need to have the ability to translate that information to our instruments.
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This is where melodic dictation comes in.